Ebook Henry V (Modern Library Classics), by William Shakespeare

Ebook Henry V (Modern Library Classics), by William Shakespeare

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Henry V (Modern Library Classics), by William Shakespeare

Ebook Henry V (Modern Library Classics), by William Shakespeare

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Act 1 Scene 1 running scene 1Enter the two Bishops of Canterbury and ElyCANTERBURY My lord, I'll tell you: that self bill is urged,Which in th'eleventh year of the last king's reignWas like, and had indeed against us passed,But that the scambling and unquiet timeDid push it out of further question.ELY But how, my lord, shall we resist it now?CANTERBURY It must be thought on: if it pass against us,We lose the better half of our possession.For all the temporal lands which men devoutBy testament have given to the ChurchWould they strip from us; being valued thus:As much as would maintain, to the king's honour,Full fifteen earls and fifteen hundred knights,Six thousand and two hundred good esquires,And, to relief of lazars and weak ageOf indigent faint souls past corporal toil,A hundred almshouses right well supplied,And to the coffers of the king beside,A thousand pounds by th'year. Thus runs the bill.ELY This would drink deep.CANTERBURY 'Twould drink the cup and all.ELY But what prevention?CANTERBURY The king is full of grace and fair regard.ELY And a true lover of the holy church.CANTERBURY The courses of his youth promised it not.The breath no sooner left his father's body,But that his wildness, mortified in him,Seemed to die too. Yea, at that very momentConsideration like an angel cameAnd whipped th'offending Adam out of him,Leaving his body as a paradise,T'envelop and contain celestial spirits.Never was such a sudden scholar made,Never came reformation in a flood,With such a heady currance, scouring faults,Nor never Hydra-headed wilfulnessSo soon did lose his seat, and all at once,As in this king.ELY We are blessèd in the change.CANTERBURY Hear him but reason in divinity,And, all-admiring, with an inward wishYou would desire the king were made a prelate.Hear him debate of commonwealth affairs,You would say it hath been all in all his study.List his discourse of war, and you shall hearA fearful battle rendered you in music.Turn him to any cause of policy,The Gordian knot of it he will unloose,Familiar as his garter, that, when he speaks,The air, a chartered libertine, is still,And the mute wonder lurketh in men's earsTo steal his sweet and honeyed sentences,So that the art and practic part of lifeMust be the mistress to this theoric:Which is a wonder how his grace should glean it,Since his addiction was to courses vain,His companies unlettered, rude and shallow,His hours filled up with riots, banquets, sports,And never noted in him any study,Any retirement, any sequestrationFrom open haunts and popularity.ELY The strawberry grows underneath the nettleAnd wholesome berries thrive and ripen bestNeighboured by fruit of baser quality.And so the prince obscured his contemplationUnder the veil of wildness, which, no doubt,Grew like the summer grass, fastest by night,Unseen, yet crescive in his faculty.CANTERBURY It must be so, for miracles are ceased.And therefore we must needs admit the meansHow things are perfected.ELY But, my good lord,How now for mitigation of this billUrged by the commons? Doth his majestyIncline to it, or no?CANTERBURY He seems indifferent,Or rather swaying more upon our partThan cherishing th'exhibitors against us,For I have made an offer to his majesty,Upon our spiritual convocationAnd in regard of causes now in hand,Which I have opened to his grace at large,As touching France, to give a greater sumThan ever at one time the clergy yetDid to his predecessors part withal.ELY How did this offer seem received, my lord?CANTERBURY With good acceptance of his majesty,Save that there was not time enough to hear,As I perceived his grace would fain have done,The severals and unhidden passagesOf his true titles to some certain dukedomsAnd generally to the crown and seat of France,Derived from Edward, his great-grandfather.ELY What was th'impediment that broke this off?CANTERBURY The French ambassador upon that instantCraved audience; and the hour I think is comeTo give him hearing. Is it four o'clock?ELY It is.CANTERBURY Then go we in to know his embassy,Which I could with a ready guess declare,Before the Frenchman speak a word of it.ELY I'll wait upon you and I long to hear it. Exeunt

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Product details

Series: Modern Library Classics

Paperback: 272 pages

Publisher: Modern Library (May 4, 2010)

Language: English

ISBN-10: 081296926X

ISBN-13: 978-0812969269

Product Dimensions:

5.1 x 0.6 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

182 customer reviews

Amazon Best Sellers Rank:

#987,789 in Books (See Top 100 in Books)

No comment on play; it is a classic.The actual document is very good since it is free. There are some misspellings due to the electronic transformation from paper to digital of the play. It is usually the first letter of the word that is wrong. Volunteers did the work on the Kindle edition, not a publishing firm, so perfection is not expected. However, there are not many errors.In addition, there are lines in French and broken English with Google Translate, you can translate the French lines to see the full meaning. However, it is not necessary since the following English lines provide translation or context to understand the meaning of the French lines.I wish there was foreword or notes in the product but you will need to pay for that service. I go to Wikipedia or literary note services for background on the play or if there is a section, I do not understand.

This is a play I chose to read for my Play Analysis paper for my Intro. to Drama class. The language is extremely powerful and memorable, the characters are compelling, and the play itself is exceptional. I definitely highly recommend it for anyone with any interest at all in drama. It is, without question, one of the greatest examples of the genre ever written. As to the edition itself, I found it to be greatly helpful in understanding the action in the play. It has a layout which places each page of the play opposite a page of notes, definitions, explanations, and other things needed to understand that page more thoroughly. While I didn't always need it, I was certainly glad to have it whenever I ran into a turn of language that was unfamiliar, and I definitely appreciated the scene-by-scene summaries. Really, if you want to or need to read Shakespeare, an edition such as this is really the way to go, especially until you get more accustomed to it.

Bizarre! The book contains no annotations. The text looks like a badly formatted computer printout. It ends with an eight-page general biography of Shakespeare, author unknown. In fact, the only attribute in the whole book is on the last page: Made in USA Middletown, DE 10 September 2016(The book was shipped to me on 13 September 2016.)The text of the biography calls out 79 references, none of which are included in the book.I can only shake my head and repeat: Bizarre!

A couple of months back, I embarked on a personal improvement plan to read all of Shakespeare's plays. Having now pored through most of the history works, I would rank Henry V as one of the best, through Henry V 1 and 2 aren't far behind in terms of accessibility and thus likeability. In fact, I would read these two first before reading Henry V, as you get Prince Harry's elaborate back story, which makes for a better understanding some of the plot points in Henry V. And these two works include his association with Falstaff, arguably one of the most interesting of all secondary players in the Bard's pantheon of characters. By the way, I would also read Richard II, which is the back story behind Henry IV. Written in verse, with no prose. It's a beautiful work. But if you're short of time, Henry V is an easy one to tackle.

What can I say......as a lover of all Shakespeare's works this is just a great historic story about Kings and their families and how disfunctional they are and were even back then and how grabbing the crown and keeping it any way you can seemed to be the order of the day. The Folgers books are so very well detailed. Not only the play itself but the explanation of words and situations on the page across from the scene itself helps even those new to Shakespeare better understand the old English expressions of that time. The life of Shakespeare is told in every book and comments on the play and reference books to look up if you are of a mind to pursue further knowledge of the play and the times. Nobody beats Folgers Library if you want to understand the best of Shakespeare.

Final piece in the Henry-tetrad, which may possibly be the weakest. It's certainly the weakest in content in my opinion. Henry V is by no means a weak character. His development is pictured nicely through the tetrad.I felt there was a lot of superfluous material inserted to pad the play's length. Note also that Act 3 Scene 4 is completely in French [editing error?]. Some of the best material is presented in each act's opening prologue.There are an excessive number of spelling errors in the Kindle version - many of the errors involve the letter 'p' being substituted for the letter 'b' at the beginning of words: bless, bridge, etc.I obviously want overly enamored with this offering, but it was good to see Shakespeare's literary concept of a tetrad through to its completion.

This rendering of Henry V is generally very well acted, with superb articulation by the actors. Compared to many film (and stage) versions of Shakespeare, where the actors seem to want to speak the lines as quickly as possible--seemingly because they feel that's how they should present emotion--and end up slurring the words together, the actors in this recording can communicate emotional range in a very articulate way, with excellent enunciation, well-placed pauses, and good modulation. The dialogue truly comes alive, and nuances unnoticed while reading come through clearly.Another strong point is the evenness of the quality of the acting. All the characters, however minor or major, are played equally well, a sign of a well-directed play.The music is at times a little sappy (for example during the St. Crispin Day's speech), but on the whole, if you want to really connect with spoken Shakespeare, it's hard to go wrong with this choice, either for teachers of Shakespeare or simple lovers of the bard.

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